A section from the journey
Hounds of Shiva: the Nayanars
Beside the Alvars who loved Vishnu stood the Nayanars, sixty-three saints who loved Shiva. They came from every caste and trade: kings and Brahmins, a potter, a hunter, a washerman, and one man the old order called untouchable. Their Tamil hymns, the Tevaram, are still sung in Shiva's temples. They called themselves the hounds of Shiva, content to be his faithful dogs.
The Tamil tide ran in two streams side by side. We have followed the Alvars, who loved Vishnu. Now meet the others, who poured the very same love toward Shiva. They are called the Nayanars.
There were sixty-three of them. And the wonderful thing is who they were. They came from every doorway the old society had. Among them were Brahmins and kings, but also a potter, a hunter, a fisherman, washermen, a weaver, and a man named Nandanar, whom that society called untouchable. Shiva, their songs say, looks at the heart, not the birth.
Their love for Shiva was not distant or grand. It was close, even familiar, the way you speak to one you have known your whole life. Listen to , a saint who sang as a child, paint his Lord.
"His ears are beringed. He rideth the bull; / His head is adorned with the crescent moon's ray; / White is He with ash from the burning-ground swept; / And He is the thief who my heart steals away."
Hear that last line. "He is the thief who my heart steals away." The saint does not praise God from far off. He half-complains, tenderly, that God has crept in and made off with his heart. That is : love so near it can tease the beloved.
Then there is , whose name means "King of the Tongue." He had once been a Jain monk, then returned to Shiva with his whole heart, and spent his days with a small scraper, humbly cleaning the courtyards of Shiva's temples. One of his verses was so loved that a beggar in Madras, the old books tell, recited it and nothing else all day long.
"He is honey and milk and the shining light. He is the king of the Devas, / Immanent in Vishnu, in Brahma, in flame and in wind... / If there be days when my tongue is dumb and speaks not of Him, / Let no such days be counted in the record of my life."
And there is , who was so close to Shiva he could call him friend. He gave the Nayanars one of their dearest images of themselves: not as lords or scholars, but as Shiva's faithful dogs, his hounds, glad to be owned by him.
"I roamed, a cur, for many days / Without a single thought of Thee... / My Shepherd, I became all thine; / How could I now myself forswear?"
A cur, a stray dog, who once wandered without a thought of God, and then was claimed by grace and made wholly his. To call yourself God's dog is not shame here. It is the joy of belonging completely. These hymns of the three were gathered, with others, into a great Tamil scripture for Shiva, whose heart is called the .
Now we must be honest, the way a good teacher is honest, even when the ground is tender. The Nayanars sang that all souls are equal before God. Saints rose among them from the lowest ranks. And yet the village around the temple did not always change to match the song. Here is a question the whole age leaves us, so let us pause at the and look at it plainly.
Whatever the village did, the song itself never wavered. It said the heart is what God weighs, and a potter or a hunter or an outcaste could be a saint. That song would be sung for a thousand years, and it would not be unsung. We carry it forward with us.
Sundarar was glad to be God's dog, owned and belonging completely. We often prize standing on our own. Where in your life has belonging to something larger felt not like a loss, but like a kind of freedom?
The Tamil tide had two streams. The Alvars poured their love toward Vishnu; the Nayanars poured theirs toward Shiva. There were sixty-three Nayanars, active in the same southern centuries, and what is striking is who they were. They came from every doorway the society had: Brahmins and kings, yes, but also a potter, a hunter, a fisherman, washermen, a weaver, and Nandanar, a man the old order ranked as untouchable. Their hymns to Shiva were gathered into a Tamil canon; its heart is the Tevaram, the songs of three great saints, Sambandar, Appar, and Sundarar. Their love is intimate and unguarded. Sundarar calls himself a cur, a stray dog, and is glad to belong to Shiva as a dog belongs to its master. Appar, once a Jain monk, returns to Shiva and says that any day his tongue does not speak of God should not be counted in his life at all. Here too we meet the era's hardest question honestly: these saints sang that all are equal before God, yet the village around them did not always change. We will stand a moment at that Threshold.
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